“UTOPIA and APOCALYPSE” — Kevin L Miller Retrospective at Manchester University until Dec 4, 2013, about Life on Earth Imperiled by Climate Change

by Kevin L Miller

“The Flood,” 4x4 ft apocalyptic oil painting on canvas, Kevin L Miller, 2013

“The Flood,” 4×4 ft apocalyptic oil painting on canvas, Kevin L Miller, 2013

Deep in the Pennsylvania woods at the dead end of our dirt road, Robert Allen and I share a shabby old trailer house painting studio, a 150-year-old barn art gallery, and a hunting cabin slowly evolving into a cottage, on 12 wooded acres with a pond and stream. This is paradise and we love it. (http://tinyurl.com/nl6s9nm)

A few nights ago I dreamt that Robert and I were in a rowboat with our good friends Susan Finn and Jerry Lee Miller. We were all looking down through the water at the White House submerged below us. We were also congratulating ourselves on managing to procure our little boat, until we looked up and saw a mile-high wall of water racing toward us at top speed from the horizon. The End.

“Check,” lower left corner detail from “The Flood,” Kevin L Miller, 2013. I have grown impatient with subtler communications when it comes to climate change, because our window of opportunity to fix it is closing. Time’s up! So now I try to spell out exactly what my paintings mean. I hope this check does the trick.

“Check,” lower left corner detail from “The Flood,” Kevin L Miller, 2013. I have grown impatient with subtler communications when it comes to climate change, because our window of opportunity to fix it is closing. Time’s up! So now I try to spell out exactly what my paintings mean. I hope this check does the trick.

Robert and I both have one-man shows right now, across the street from each other at Manchester University, in North Manchester, Indiana. You can see my photo essay about Robert’s very popular show, “PLEASE TOUCH THE ART!” at http://tinyurl.com/mtyyrf5 .

"UTOPIA and APOCALYPSE -- Seven Decades Re-Imagined -- Kevin L Miller Retrospective at Manchester University, Gallery G, The Union, upper level, until Dec 4, 2013. Left to right: The Flood, Faucet Head, Magna Mater.

“UTOPIA and APOCALYPSE — Seven Decades Re-Imagined” — Kevin L Miller Retrospective, Manchester University, Gallery G, The Union, upper level, until Dec 4, 2013. Left to right: The Flood, Faucet Head, Magna Mater.

Over a year and a half ago we were invited to produce our tandem shows. I vacillated for a year about the theme for my exhibit. Finally I decided on Global Climate Change, when I realized that I have painted utopian visions and the great flood apocalypse throughout my life. That mile-high wall of water coming at us haunts me. Can’t we try to do something about it? There is still a little time. Isn’t there a moral imperative to save life on Earth?

“Hawaii,” 4x6 ft utopian enamel painting on clear vinyl, Kevin L Miller, c 1991

“Hawaii,” 4×6 ft utopian enamel painting on clear vinyl, Kevin L Miller, c 1991

The Earth is exquisitely beautiful, precious, special and rare. Astronomers and physicists searching the universe for other planets that might support life are telling us that worlds blessed with exactly the right narrow band of conditions for life are indeed extremely rare. Now our Earth-home is in jeopardy from human pollution, causing Global Climate Change. We live in peril of losing our habitat and our health, and endangering the lives of our children and grandchildren if we do not transition to clean energy quickly and stop four kinds of increasingly extreme removal and burning of fossil fuels:

  • Fracking for natural gas
  • Deep sea oil drilling
  • Mountaintop removal coal mining
  • Tar sands exploitation and piping
“Requiem,” 4x7 ft acrylic on canvas, Kevin L Miller, 2013 -- an apocalyptic painting including three quotes from Michelangelo’s Sistine Chapel Ceiling.

“Requiem,” 4×7 ft acrylic on canvas, Kevin L Miller, 2013 — an apocalyptic painting including three quotes from Michelangelo’s Sistine Chapel Ceiling.

Extreme extraction methods and fossil fuel burning are filling our atmosphere with CO2, now alarmingly over 400 parts per million, whereas our environment can only withstand 350 ppm without disastrous consequences, which are already upon us:

  • Earth’s polar ice caps and glaciers are melting at a catastrophic rate.
  • Greenland is melting and experiencing ominous internal seismic activity.
“Poseidon’s Prophecy,” 4x7 ft oil on canvas, Kevin L Miller, 2013. King Neptune brings apocalyptic news from the oceans to the utopian woodland spirits.

“Poseidon’s Prophecy,” 4×7 ft oil on canvas, Kevin L Miller, 2013. King Neptune brings apocalyptic news from the oceans to the utopian woodland spirits.

  • Our oceans are now 30% more acidic due to CO2 dissolving into the water. Coral reefs are dying. We are losing them as marine habitats and coastal flood control barriers.
  • 40% of Earth’s sea plankton, the base of our oceanic food chain, has already died. The food chain is fundamental.
  • Earth’s atmosphere is now holding 5% more moisture, and extreme weather and precipitation events are on the rise. We have “100-year storms and floods” every year now, like Super Storm Sandy a year ago. https://twooldliberals.wordpress.com/2012/11/04/mother-nature-sends-sandy-to-make-climate-change-a
“The R.L. Miller Farm,” watercolor, Kevin L Miller, 1966 (age 17,) depicts our family ancestral farm as it looked when I was a boy.

“The R.L. Miller Farm,” watercolor, Kevin L Miller, 1966 (age 17,) depicts our family ancestral farm as it looked when I was a boy, and when my father, uncle and aunts grew up there, just outside of North Manchester, Indiana, home of Manchester University.

  • The U.S. Midwest experienced the most severe drought in American history in the summer of 2012, and American food prices rose steeply as a result.
“Drought and Gathering Storm," Kevin L Miller, 2013, digital re-imagining of the R.L. Miller Farm, as it might have looked in the great drought of 2012, if the full-timber black walnut barn had not been demolished.

“Drought and Gathering Storm,” Kevin L Miller, 2013, digitally re-imagined version of the R.L. Miller Farm, as it might have looked in the great American drought of 2012, if the full-timber black walnut barn had not been demolished.

  • Biologists and zoologists tell us that there are no longer any climate change doubters in their ranks, as they are witnessing virtually all animals and insects moving north and to higher elevations in search of cooler climes.
“Firebird Visit’s the Elders,” 3x4 ft acrylic on canvas, 2-artist collaborative painting by Robert F Allen and Kevin L Miller, signed “Allen Miller,” illustrating both the utopian nature of Earth and the peril from climate change.

“Firebird Visit’s the Elders,” 3×4 ft acrylic on canvas, 2-artist collaborative painting by Robert F Allen and Kevin L Miller, signed “Allen Miller,” illustrating both the utopian nature of Earth and the apocalyptic peril from climate change.

Indeed, 97% of the world’s climate scientists and all 12 national academies of science, and the World Bank (http://tinyurl.com/k397rjf), and the United Nations International Panel on Climate Change, and Pope Francis I in the Vatican (http://tinyurl.com/kjwl2eo – the pope’s quote is at the end) are among a host of institutions raising the urgent alarm for action. 

“The Musician and the Tree of Life” 4x4 ft acrylic on canvas, Kevin L Miller, 2013, depicts the joys and burdens of an artist (in this case the Rev Jerry Lee Miller) coping with both the ecstasy of living in utopia, and the agony of expressing prophetic statements and art about the impending apocalypse, while making every effort to save the Earth for the children of tomorrow.

“The Musician and the Tree of Life,” 4×4 ft acrylic on canvas, Kevin L Miller, 2013, depicts the joys and burdens of an artist (in this case the Rev Jerry Lee Miller, musician and climate change activist) coping with both the ecstasy of living in utopia, and the agony of expressing prophetic statements and art about the impending apocalypse, while making every effort to save the Earth as a livable home for the children of tomorrow.

Time’s up! Now we really do have to transition quickly from fossil fuels to clean renewable energy and save the Earth as a livable habitat for all life forms. If we do not do so, what will we tell the children of tomorrow when they ask, “Why did you do this to us?” (lyrics from Jerry Lee Miller’s song, “Children of Tomorrow.”) What will you tell your children and grandchildren?

“Time’s Up,” marker poster on paper, Kevin L Miller 2012 -- responding to the July 19, 2012 Rolling Stone article, ( http://tinyurl.com/okyz2nc ) “Bill McKibben’s Terrifying New Math,” this poster was one of many created for the Lancaster, PA, brainstorming effort to form “The HIVE of Planet-Loving Activity” (See our FaceBook page) to take creative action and support all efforts to halt Global Climate Change.

“Time’s Up,” marker poster on paper, Kevin L Miller 2012 — responding to the July 19, 2012 Rolling Stone article, “Bill McKibben’s Terrifying New Math,” this poster was one of many created for the Lancaster, PA, brainstorming effort to form “The HIVE of Planet-Loving Activity” (See our FaceBook page) to take creative action and support all efforts to halt Global Climate Change.

Rolling Stone’s July 19, 2012 article “Bill McKibben’s Terrifying New Math,” awoke people around the world to the greatest survival challenge humanity has ever faced. http://tinyurl.com/okyz2nc 

  1. The Earth can only withstand 2 degrees Celsius warming without disastrous consequences, and we are almost there when the inertial rise built into the system is factored in.
  2. We can release a maximum of 565 Gigatons of CO2 into the atmostphere by 2050, but at our current rate, we will reach that ceiling in 2028 — only 15 years from now. 
  3. Companies and countries have already committed to extracting and burning 2,795 Gigatons of CO2 locked in proven fossil fuel reserves — five times the allowed limit.
Left to right: Firebird Visits the Elders, Hawaii, and Requiem are part of Kevin L Miller's retrospective at Manchester University, "UTOPIA and APOCALYPSE."

Left to right: Firebird Visits the Elders, Hawaii, and Requiem are on exhibit in Kevin L Miller’s retrospective at Manchester University, “UTOPIA and APOCALYPSE.”

The good news is that there is still a little time to turn this planetary crisis around, and there really are things that each of us can do. None of us has to save the world all alone. If all of us do our own little part — even if we do it badly — humanity will achieve critical mass for a change in consciousness and behavior, and we can leave a livable planet for future generations.

  • Can we buy an electric or hybrid car and use less fossil fuel? I know… Those cars are way too expensive for most of us…
  • Well, are we willing to become vegans or vegetarians? That’s one of the most effective things we can do to shrink our individual carbon footprints. But lots of us really love meat…
  • So, can we buy local products to reduce carbon emissions from shipping? That practice helps local economies, too.
  • Are we willing to write letters to public officials and call our congressional representatives? Or, if solitary action to speak truth to power makes us a little too nervous…
  • Can we join organizations like The Sierra Club, or 350.org, or Citizens Climate Lobby and support them with our resources and participation in their events?
  • Are we qualified to plan and facilitate community discussions on climate change? (http://tinyurl.com/lf3xdqm)
  • Are we willing to start our own local organization with friends? If so, here are some notes about how 13 of us started The HIVE of Planet-Loving Activity. (http://tinyurl.com/149g7lm)
  • Can we talk to institutional leaders about divesting from coal and other fossil fuels? If direct one-on-one talks with authority figures are too intimidating for some of us…
  • Are we willing to write letters to the editors of our local newspapers and urge others to do the same?
  • Can we start a climate change blog and open a larger dialogue?
  • Are we qualified to write poetry or plays, or to compose music, or dance, or paint, or make art of any kind about climate change? Art is a very powerful tool for transformation.
  • Do we know how to make a climate change quilt or bake a climate change cake, or create a T-shirt featuring “Don’t Frack Up the Earth!” as a slogan?
  • Can we urge our churches, colleges and universities and local or state governments to become involved?
  • What else are we willing to do to wake up the world and inspire everyone to take action urgently?
“The Revelations of Eve and Adam,” 16” x 20” acrylic on canvas, 2004, Kevin L Miller

“The Revelations of Eve and Adam,” 16″ x 20″, an acrylic utopian painting on canvas, 2004, Kevin L Miller

When we decide to take creative action on behalf of Mother Earth and the children of tomorrow, we find that we are not alone. Some corporations are beginning to realize, as I have been telling them for 15 years, that extinction is NOT good for profits! They are starting to take strategic action to save their bottom lines and ours. Even the Department of Defense has identified Global Climate Change as one of the greatest threats to U.S. security, and is transferring military operations to clean renewable energy sources, especially in the field. Nations like Germany and Spain and others are quickly getting off of fossil fuels and transitioning to solar, wind, geothermal and other clean energy sources. Cities, communities, and churches are taking leadership roles in creative action to save life on Earth.

“Woodland Spirit Guides,” 4x4 ft oil on canvas, 2010, Kevin L. Miller

“Woodland Spirit Guides,” 4×4 ft oil on canvas, 2010, Kevin L. Miller

There is a major benefit that comes with creative action to heal the Earth — It also heals us in the process. Fifteen years ago when I learned that the polar ice caps were melting due to climate change caused by humanity, I struggled with depression and nausea for a year. It took more years for me to discover that creative action is soul-healing medicine. Sometimes it feels like we have to choose between denial and depression. But there is a third way — creative action overcomes denial and depression and leads to fulfillment.

A display of Kevin's "Provence Style" landscapes is part of his retrospective. This style evolved out of his junior year abroad in Aix-en-Provence, France, and his studies at the Ecole des Beaux Arts there, as well as his interest in Cezanne, Van Gogh, and Picasso.

A display of my “Provence Style” landscapes is part of the retrospective. This style evolved out of my junior year abroad in Aix-en-Provence, France, and my studies at the Ecole des Beaux Arts, as well as my interest in Cezanne, Van Gogh, and Picasso.

Today I know that even spending a whole year making apocalyptic paintings yields nothing but increasing inner joy and peace. Rest assured that when you decide to take creative action, you will find that depression, denial, anger, fear and grief, will be transformed into fulfillment, clarity, peace, confidence and joy, and you will have the personal satisfaction of knowing that you have done the right thing, regardless of the outcome.

The Kevin L Miller Retrospective, "UTOPIA and APOCALYPSE -- Seven Decades Re-Imagined" is on exhibit in Gallery G, The Union upper level, at Manchester University, until Dec 4, 2013 (photo by Alison Stein)

The Kevin L Miller Retrospective, “UTOPIA and APOCALYPSE — Seven Decades Re-Imagined” is on exhibit in Gallery G, The Union upper level, at Manchester University, until Dec 4, 2013 (photo by Alison Stein)

2 thoughts on ““UTOPIA and APOCALYPSE” — Kevin L Miller Retrospective at Manchester University until Dec 4, 2013, about Life on Earth Imperiled by Climate Change

  1. Kevin, There are quite a few pieces here that we’ve never seen. I so wish we could see the display in person. The way you have things arranged looks marvelous in these photos. Jerry says he may have a chance to go to Indiana. I hope he can, but I will be quite envious! It’s encouraging to hear an artist talk about the hope art-making brings to the individual artist. Your art brings hope and inspiration to me. I want to thank you for that.

  2. Hi Kevin,
    Your show looks amazing and I actually saw an article on Robert’s “Please Touch the Art.” I so wish that Martin and I could be there to see these in person! All the best with them!
    Big hugs,
    Jeff

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